Sreehari Nair wishes to write about that which is in the cultural air but absent from trending lists. You can e-mail the author at sreeharin@rediff-inc.com
There's something very pompous about the basic pitch of this movie that slowly chews away at its core, feels Sreehari Nair.
'This colliding of worlds is a feature of chawl life in Mumbai, where the clashes in one household often become prime-time television for the neighbours; where the boundaries of good sex, lechery, and incest are frequently blurred,' says Sreehari Nair.
...But ends up being oddly moving, says Sreehari Nair.
Neeraj Pandey's Aiyaary is the sort of spy fantasy story that drunks narrate in bars, says Sreehari Nair.
'Parts of Pad Man look like a Vicco Turmeric commercial, parts of it look like a Tourism Ad and parts of it like a commercial for Etihad Airlines. But almost all of it, unmistakably, sounds like one big town-hall message,' says Sreehari Nair.
'Sanjay Leela Bhansali's historical characters behave as though they are already aware of the chapters that will be dedicated to them and the sonnets that will be written in their memory.' 'And yet, they talk relentlessly about making and remaking history.' 'Can anything be more superficial?' asks Sreehari Nair.
And it's written with tears, blood and unspoken lines.
'You walk out of Mukkabaaz feeling good about yourself, but unlike Kashyap's best pictures, it releases you from the responsibility of seeing yourself in it; the movie is darn clever, most of the way, but it hardly has any wisdom,' says Sreehari Nair.
Sreehari Nair wasn't impressed with Rangoon at all. But find out which film tops his list!
'Don't let anybody tell you that Kadvi Hawa is a manifesto for the fight against climate change or that it's an austere, unforgiving movie.' 'This is an intensely felt, beautifully expressed piece of cinema,' says Sreehari Nair.
'When Rajkummar Rao plays Bose with his tummy jutting out, Buddha Ears, his mouth puffed, and his talk straight, it feels more like an echo piece than a real person,' feels Sreehari Nair.
If you happen to like this film, I have to assume there's something seriously wrong with your idea of a journey, Sreehari Nair says.
Ittefaq has a gagster attitude, plenty of light touches, and it announces Abhay Chopra as a mainstream talent to watch out for, says Sreehari Nair.
Rukh may be lit like a YouTube Short Film, and may have its share of other technical problems, but there's something disturbingly original about director Atanu Mukherjee's vision, Sreehari Nair feels.
The heist stretch of the movie is not without imagination, but arriving at that chunk, and sitting through what follows, can be bad for your skin, warns Sreehari Nair.
True misogyny is when you stop being curious about women, and Milind Dhaimade directs his actresses with a sense of wonder. Tu Hai Mera Sunday has delightful women characters, sketchy men, and individual threads that work better than the whole package, feels Sreehari Nair.
While filled with startling insights and questions, and buoyed by terrific performances throughout, Newton suffers from a lack of end-to-end clarity. It is a near-great film but one that for some reason doesn't express itself fully, feels Sreehari Nair.
'The bumblebees in Par Ek Din may not be flying yet, but even as they dangle in mid-air, their stings hurt.' 'Effortlessly graceful, this is a work of passion that conveys what being passionate about something truly feels like,' says Sreehari Nair.
'The way the daredevil feats are set up, they don't have the maniacal feeling of actual gun battles, or good jazz, or a whacked-out dance performance -- they just don't provide you that giddy tingle you go looking for in such films,' feels Sreehari Nair.
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